Just because I rattled off three International Feature reviews yesterday doesn't mean I've run out of entries to look at. I've still got two more submissions in the chamber, and I'll have two more by this time next week. It's an embarrassment of riches this year, with one hopeful after another getting the distribution and … Continue reading Throw Drama from the Train – Compartment No. 6
We're in the preliminary stages of next year's Oscar Blitz, with me sitting here eagerly anticipating the official announcement of specialty submissions before the shortlists come out on December 21. Part of that early zeal has included monitoring news feeds (and let's be honest, Wikipedia) for individual countries to announce their entries for International Feature, … Continue reading DownStream – Netflix International
Love him or hate him, Kenneth Branagh is inextricably associated with the works of William Shakespeare, due to his obsessive love of the Bard and his work, whether he's performing or directing. He's made film adaptations of five of Shakespeare's plays, most notably his star-studded version of Hamlet from 1996. But even in his more … Continue reading The Troubles with Growing Up – Belfast
Kosovo's short history as a nation has been a fraught one, filled with violence and so-called "ethnic cleansing" over the last 25 years. It is still a point of contention in the Balkan States as to its legal status, with Serbia refusing to recognize its independence, and continuing to claim the territory as an autonomous … Continue reading Bee-coming a Queen – Hive
Asghar Farhadi is inarguably one of the greatest filmmakers in the world. The Iranian director is part of a rare breed, having helmed two films that won the Oscar for International Feature, A Separation from 2011 and The Salesman from 2016, even though in the latter case Donald Trump's intolerably cruel Muslim ban prevented him … Continue reading You Can Only Hold Out So Long – A Hero
I hadn't originally planned to see the cinematic adaptation of Clifford the Big Red Dog, even though the trailer suggested it would be an enjoyable film for kids. I'm simply not the target audience, and I'm self-aware enough to realize that it would look weird for a single man in his late 30s to take … Continue reading How Can You Say No to That Face? – Clifford the Big Red Dog
This has been stewing in me for a while now, and I've been trying to find the right words to describe what I experienced with this movie. This is the best I can come up with. Strap in. I've seen every Marvel Cinematic Universe film to date, with some being much better than others. But … Continue reading Disney Can’t Stress Enough How Much it Hates You – Eternals
Edgar Wright has already given us one cinematic triumph this year in the form of the fantastic music documentary, The Sparks Brothers, which at times served as a distillation of his expertise in crafting movies around a catalog soundtrack. Truly there are few filmmakers out there able to make a narrative work hand-in-hand with era-appropriate … Continue reading Through the Looking Glass – Last Night in Soho
As I mentioned in October's edition of "This Film is Not Yet Watchable," the new version of Dune is that ultra-rare film that not only clears the bar to pass my personal "Remake Rule," it offered multiple reasons to outright endorse the effort, at least from what I could see in the trailer. You have … Continue reading Grand Scale, Small Voices – Dune
I've mentioned before that the films of Wes Anderson are fairly hit and miss for me. He is no doubt a great writer and spectacular visual artist, creating brilliantly whimsical set pieces that feel like living in a painting at times. But how that fanciful approach hits you is essentially a crap shoot. For me, … Continue reading As Fun As Having a Magazine Read to You – The French Dispatch
I Actually Paid To See This 