Two years ago, I railed against the wholly unjustified remake of Rebecca, the 1940 gothic mood piece that was Alfred Hitchcock's only film to win the Oscar for Best Picture. It added nothing to the proceedings, wasted talented actors, and apart from the set design offered no new ideas to enhance the original's tragically unsettling … Continue reading Two Tildas for the Price of One – The Eternal Daughter
If you've been keeping up with the blog over the last several weeks, you'll know that "keeping up" has been a bit of an issue for me. Between various factors in my personal life, working the election, and my simple desire to sleep, I've been getting out to movies, but I haven't been nearly as … Continue reading Back Row Thoughts – A Weekend Abroad
Florian Zeller shocked the world two years ago with the cinematic adaptation of his stage play, The Father. Through clever editing, poignant dialogue, masterful set design, and incredible performances from Olivia Colman and Anthony Hopkins (the latter winning the Oscar for Best Actor), the film presented dementia in the starkest terms ever seen on screen. … Continue reading Severe Daddy Issues – The Son
The key to the giddy fun of the first Knives Out movie was in Rian Johnson's ability to play with genre conventions and whodunit tropes. Already established as the type of filmmaker willing to subvert even the most precious of fan expectations with The Last Jedi, Johnson used his pen and his lens to poke … Continue reading Still Incredibly Sharp – Glass Onion: A Knives Out Mystery
When it's all said and done, 2022 will be a very unique year for animation, in that the traditional powerhouses of the genre, Disney and Pixar, have decidedly not put their best feet forward relative to their competition. Whereas last year the field was so weak that Encanto won the Oscar for Animated Feature basically … Continue reading A Rusty Venture – Strange World
There's a beautiful complexity to Guillermo del Toro's new version of Pinocchio that few other filmmakers could have reasonably pulled off. I think it's because there isn't one direct element of this latest adaptation that commands attention as being the thing that sets it apart from all the others. It isn't just the high quality … Continue reading A Real Life – Guillermo del Toro’s Pinocchio
At long last, a very tumultuous year is about to come to an end. Inflation was rampant, an absolute slew of beloved celebrities shuffled off the mortal coil, and once again America just barely squeaked by on maintaining the basic tenets of democracy. It was rough, no doubt about it, and there are still 31 … Continue reading This Film is Not Yet Watchable – December 2022
Luca Guadagnino is one of the most surprising filmmakers working today. With Call Me By Your Name, he made statutory rape and jizzing into a peach somehow heartwarming. With his version of Suspiria, he managed the rare feat of creating a remake that felt unique enough to stand on its own. And with Bones and … Continue reading Bite Me – Bones and All
Mexico's entry for International Feature is a curious one, mostly because it's very clear that the decision to submit it was down to the prestige of the filmmaker rather than the film itself. With a barely passable Rotten Tomatoes score of 60%, Bardo, False Chronicles of a Handful of Truths relies almost entirely on the … Continue reading A Portrait of the Artist as an Old Man – Bardo, False Chronicles of a Handful of Truths
There is a certain boldness to Mark Mylod's The Menu that few other movies could pull off. That gamble came in the form of the film's two major trailers, which made it very clear that the movie would contain quasi-horror elements about a high-end chef trying to murder his patrons. There were even overt references … Continue reading Eat the Rich – The Menu
I Actually Paid To See This 