Director Ari Aster made a huge splash last year with Hereditary, his feature length debut. The film was one of the most polarizing of the year, with critics lauding his visual style and deranged eye for cinematic gore, while audiences were increasingly frustrated by the lack of a cohesive plot that at times gave the impression … Continue reading The Swedish Are All Alone – Midsommar
I saw 111 new films in 2018 between the theatre and streaming services. Eleventy-one movies, eleventy-one reviews, either stand-alone or in groups. Eleventy-one chances to thrill, to laugh, to cry, and to outright despise. It's been a hell of a run this first year, and we're still not done. There are still plenty of movies … Continue reading The Best (and Worst) of 2018
There's an odd dichotomy these days when it comes to horror films. With very few notable exceptions like Get Out or A Quiet Place, audiences and critics tend to have almost polar opposite reactions to modern horror. If audiences like it, critics hate it, and vice versa. So too is the case with Hereditary, written and directed by … Continue reading Sound, Fury, and Gory Shit, Still Signifying Nothing – Hereditary
