I've always been kind of fascinated with the concept of grief. That might sound a bit morbid, or like a leftover from an emo kid's journal, but it's true. How people deal with loss, setbacks, or whatever form of sadness, and find a way to carry on, is something that innately intrigues me, probably because … Continue reading The Cover-up – The Shrouds
Debuting on the festival circuit last year before getting its theatrical release this week, Marlowe is the 100th feature film for one of cinema's greats, Liam Neeson. And it would seem that director Neil Jordan (who previously worked with Neeson in 1996 with Michael Collins) has taken the occasion as one to celebrate not just … Continue reading The Centennial – Marlowe
"I'm scared," gasps Penélope Cruz while on a stakeout for a terrorist spy around the start of Act II in Simon Kinberg's The 355. "That's good," replies Diane Kruger. "Only idiots aren't scared." Well, if that's the case, I must be an idiot, because I certainly wasn't scared at all during this overlong parade of … Continue reading Spy Lame – The 355
In 2010, a documentary called Marwencol chronicled the life and artwork of Mark Hogancamp, an artist from upstate New York who was beaten within an inch of his life because of some sexual personality differences. Unable to draw after his injuries, he instead created a fictional miniature town in his yard, populated by dolls that he … Continue reading Hello Dollies! – Welcome to Marwen
Before I get started, let me preface by saying that I won't always do what I'm about to do, which is review a movie after it wins an award. For one thing, I want to be as current as I can possibly be with my reviews, and strictly speaking, In the Fade counts as a 2017 movie. … Continue reading How to Win a Golden Globe: Tell Nazis to Fuck Off! – In the Fade
I Actually Paid To See This 