There's something to be said for sticking to a successful formula. When certain elements work, it's natural to want to go back to the well and try it again. I totally get that. And there are plenty of filmmakers who've relied on tried and true methods to come up with an entertaining product, be it … Continue reading The Department of Redundancy Department – Amsterdam
Summer has come and passed... you know the rest. Go wake up Billie Joe Armstrong, already. The autumn air is upon us, more theatres are opening up (except for Regal, which is closing some 350 locations, many of them permanently), and the deluge of online-only content is starting to abate. More films are getting their … Continue reading DownStream – Cruel Summer
Last year was a tremendous boon for Netflix when it came to the Oscar stage. The success of Roma (as well as The Ballad of Buster Scruggs to a lesser extent, not to mention a slew of documentaries over the years), followed by the Academy's rebuke of traditionalists like Steven Spielberg emboldened the world's premiere streaming … Continue reading DownStream – Netflix and Shill, Part 1
The "unofficial" phase is finally over. We are now firmly and officially into Awards Season! The next three months of hardware, hand-wringing, and haranguing kicked off this morning with the announcement of the nominees for the 35th Annual Independent Spirit Awards, which were presented by Zazie Beetz and Natasha Lyonne. There's a lot of love … Continue reading We’ve Got Spirit (Awards), Yes We Do! – 35th Independent Spirit Awards Nominations Announced!
The Year of Our Ford 2019 is halfway complete, and so far the tally for me is 48 movies, one off the pace I had set by this point last year. Unlike last year, however, 2019 has been a decided step back in terms of cinema quality. There aren't too many great films, and most … Continue reading The 2nd Annual Oscs – Celebrating the Best (and Worst) of 2019 so far!
One of the favorites to come out of this year's Sundance Film Festival is The Mustang, a joint production of the US, France, and Belgium, which won the NHK Award in Park City. It's co-written by Brock Norman Brock (Bronson), Mona Fastvold (Vox Lux), and Laure de Clermont-Tonnerre (Diane from The Diving Bell and the Butterfly), who … Continue reading Wild Horses Couldn’t Drag Me Away – The Mustang
I Actually Paid To See This 