Three American Heroes Save a Train… After 80 Minutes of Hokey Preaching – The 15:17 to Paris

I've been a fan of Clint Eastwood my entire life. I used to watch the Dirty Harry movies as a kid, I love High Plains Drifter, and I've really come to enjoy his work as a director. Unforgiven, Million Dollar Baby, Mystic River, the man's hardly had a misfire. But over the last decade or so, there's been a noticeable … Continue reading Three American Heroes Save a Train… After 80 Minutes of Hokey Preaching – The 15:17 to Paris

Busting Ghosts by Shooting them in the Goddamned Face – Winchester

Dear readers, I regret to inform you all that the beloved Helen Mirren has become the latest victim of the studio-dump-horror-film-for-a-quick-paycheck abyss, starring in the newly-released Winchester, which, I shit you not, revolves around the ghosts of gunshot victims being "saved" by being shot... again. Strap yourselves in. The Aussie-American project features Mirren as Sarah Winchester, … Continue reading Busting Ghosts by Shooting them in the Goddamned Face – Winchester

Oscar Gold 2018 – Sound Editing

First things first, a lesson in category distinctions. Today we're focusing on Sound Editing, which previously had the more clear name of Sound Effects (Editing). What this means is that this category awards the artificial sounds, particularly the sound effects done in post-production, recorded by a foley artist. This is different from the other sound category, … Continue reading Oscar Gold 2018 – Sound Editing

Oscar Gold 2018 – Adapted Screenplay

The screenwriting categories are among my favorites, y'know, being a writer and all. And there's an interesting dichotomy in results between the Original and Adapted Screenplay awards. Since 2000, half of the Adapted Screenplay winners have gone on to win Best Picture. Conversely, only five Original Screenplay winners have won the top prize in that … Continue reading Oscar Gold 2018 – Adapted Screenplay