Debuting on the festival circuit last year before getting its theatrical release this week, Marlowe is the 100th feature film for one of cinema's greats, Liam Neeson. And it would seem that director Neil Jordan (who previously worked with Neeson in 1996 with Michael Collins) has taken the occasion as one to celebrate not just … Continue reading The Centennial – Marlowe
We're firmly into Summer Blockbuster season, and that means one of two strategies come to bear at the box office. Either the major studios will put out their biggest budget films against one another to battle it out for supremacy, or they'll space them out so that there's one default movie for audiences to watch … Continue reading This Film is Not Yet Watchable – June 2019
As Awards Season kicks itself into high gear, there's an overwhelming glut of movies to watch, especially now, in the age of streaming services. Filmmakers and content creators from all over the world have more outlets than ever to get their work to the masses, and into consideration for the industry's highest honors. It's in … Continue reading Back Row Thoughts: Chillin’ with Netflix
I caught a little bit of flack earlier this year (and not just the playful kind from my girlfriend) over my insistence to NOT see Ocean's 8. I stand by my decision, and I still allow for the possibility of seeing it if I am given a compelling reason. Basically, my choice boiled down to three … Continue reading A Women’s Heist Film That Actually Deserves to Exist – Widows
It's mid-January, and this is the first official film of 2018 to get a look (the previous two reviews were technically 2017 releases). The winter months tend to be dumping grounds for the major studios - films they either don't believe will make money or just don't believe are any good. With the main focus … Continue reading Liam Neeson Meets a Stranger on a Train, and Some Other Movie References – The Commuter
I Actually Paid To See This 