It's been a long Blitz, getting from there to here. There being the nominations and here being the annual official prediction blog! We're just over 48 hours away from handing out the hardware, and while I've spent the last 24 days giving my opinions on who should win, it's time to put my proverbial money in … Continue reading Oscar Gold 2020 – Who Will Win?
We come to it at last. Twenty-four days straight, no breaks, one category after another. And now, there's just one more to go, the big one, Best Picture. Now, because I cannot just let things be easy, I have a completely convoluted process for determining my rankings in this field. This is for two reasons. … Continue reading Oscar Gold 2020 – Best Picture
I'm gonna get on my soapbox for just a second and say that I am so sick and tired of complaints about Best Director being an all-male field. I don't know the current membership of the Academy's Directors Branch, but it goes without saying that it's a boys club. It has been for a long … Continue reading Oscar Gold 2020 – Best Director
We're six days away from the Academy Awards, and at this point, the prep work is just about complete. With the exception of the Independent Spirit Awards, which take place this Saturday and due to their nature can only have a mild effect on the outcome, Awards Season is essentially in the books. All that's … Continue reading Getting Ready for the Main Event – BAFTA and Guild Awards Results!
I mentioned this earlier in the Blitz, but I would absolutely love to attend a "Bake-Off" presentation for the Academy, mostly because I just want to get inside the heads of both the Academy voters (in any number of branches), and the marketing teams of the various films and studios making their cases for nomination. … Continue reading Oscar Gold 2020 – Visual Effects
One of the first categories I broke down in this year's Blitz was Sound Mixing. So why, you may ask, did I then wait until the final week to do its counterpart, Sound Editing? Simple, really. I wanted to truly get some separation between the two fields - which as usual are 80% identical - … Continue reading Oscar Gold 2020 – Sound Editing
Strictly speaking, the award for Production Design is meant to be limited to the interior design of a film, namely the sets, props, and overall decoration. But in the case of our nominees this year, it has to be said that "interior" doesn't quite cover it. Each of the five films selected here have a … Continue reading Oscar Gold 2020 – Production Design
Of all the technical categories, this might be my favorite, mostly because it's the one I could basically never do. I mean, my days of high school A/V class and eventually college taught me a thing or two about how to operate a camera. Hell, I even worked for my school's video department taping classes … Continue reading Oscar Gold 2020 – Cinematography
When I did my very first Blitz on this blog two years ago, I started with this category as the simplest way to explain my thought process, as at the time it was the only Oscar field that defaulted to three nominees, with four or two on rare occasions. But no more. This year, the … Continue reading Oscar Gold 2020 – Makeup & Hairstyling
The orchestral score of a film is one of the subtlest, yet most essential elements. Sometimes, if the composer is doing his or her job right, you don't even notice it's there, as it simply complements the action on the screen. At times, the perfect scene gets the perfect little bit of punctuation with a … Continue reading Oscar Gold 2020 – Original Score
